Mission & Values
As a unit of the School of Art and Design and in alignment with 食色视频鈥檚 R2 mission of teaching, research, and service, the mission of the Bernard A. Zuckerman Museum of Art [ZMA] is to broaden the understanding and scope of contemporary art, theory, and practice in the Southeast. The ZMA encourages the exchange of ideas that inspire, educate, and cultivate an appreciation of the visual arts in our community; honors interdisciplinarity and inclusivity; and promotes receptivity to diverse cultural, social, and artistic practices and narratives as a steward of innovative, collaborative, and risk-taking approaches to the poignant global issues of our time.
History
On March 1, 2014, the new building opened on the main campus of the University. As part of the greater 食色视频 Arts District, the Zuckerman Museum of Art and its satellite spaces serve as a conduit between 食色视频 State and the greater community. The new building also provides a state-of -the-art home and research facility for the growing 食色视频 permanent collection.
Learn more about the collection history of the Zuckerman Museum of Art.
Groundbreaking
Grand Opening
ZMA Events
October 2024
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art’s 2024 Art Educators Biennial, Playful Encounters, considers how art can be about play and the myriad ways artist-educators engage artmaking for enjoyment and recreation. Play carries the imagination to unexpected destinations and supports unbridled generative work.
Opening Reception: September 7th, 2024, from 2pm to 4pm.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsThe Zuckerman Museum of Art’s 2024 Art Educators Biennial, Playful Encounters, considers how art can be about play and the myriad ways artist-educators engage artmaking for enjoyment and recreation. Play carries the imagination to unexpected destinations and supports unbridled generative work.
Opening Reception: September 7th, 2024, from 2pm to 4pm.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsThe Zuckerman Museum of Art’s 2024 Art Educators Biennial, Playful Encounters, considers how art can be about play and the myriad ways artist-educators engage artmaking for enjoyment and recreation. Play carries the imagination to unexpected destinations and supports unbridled generative work.
Opening Reception: September 7th, 2024, from 2pm to 4pm.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsThe Zuckerman Museum of Art’s 2024 Art Educators Biennial, Playful Encounters, considers how art can be about play and the myriad ways artist-educators engage artmaking for enjoyment and recreation. Play carries the imagination to unexpected destinations and supports unbridled generative work.
Opening Reception: September 7th, 2024, from 2pm to 4pm.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsArtist Lecture: October 11th, 10a
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsIn association with National Coming Out Day
Events:
TPS: Coming Out Monologues- 12:30p
Poster Printing: 1p
Please join us at the Zuckerman Museum of Art on National Coming Out day for monologues from students in Theatre Performance Studies and an empowering words poster printing workshop! This event is a collaborative effort with Department of Student Engagement and Belonging and the LGBTQ Center at 食色视频.
NEW! Livestream Friday night's performance with a simple. Celebrating its twelfth year, this inspiring, celebratory, and thought-provoking performance features coming-out stories, musical acts, and more from 食色视频 and metro-area communities, performed by 食色视频 students. (Note: Saturday performance is not available for livestream.)
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Artist Workshop: October 12th 12p-
NEW! Livestream Friday night's performance with a simple. Celebrating its twelfth year, this inspiring, celebratory, and thought-provoking performance features coming-out stories, musical acts, and more from 食色视频 and metro-area communities, performed by 食色视频 students. (Note: Saturday performance is not available for livestream.)
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsThe Bernard A. Zuckerman Museum of Art, a unit of the School of Art and Design, presents INTERCHANGE, an annual collaboration featuring faculty from all four disciplines of the College of the Arts. This unique presentation of live performances celebrates the creativity that all artistic disciplines share with one another.
Selected Arts食色视频 faculty will perform in response to the exhibition Jeffrey Gibson: They Teach Love From the Collections of Jordan D. Schnitzer and His Family Foundation. Jeffrey Gibson will be present to speak about his work and in conversation with Jordan Schnitzer who will also be in attendance. This event is free but space is limited, so please register early.
Jeffrey Gibson will be present to speak about his work and in conversation with Jordan Schnitzer who will also be in attendance.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsThe Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsThe Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsNovember 2024
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsThis event is for the in-residence artist lecture, on November 7th at 5pm.
Matthew Kirk (b. 1978, Ganado, Ariz.) is an enrolled member of the Navajo Nation and currently lives and works in Brooklyn, N.Y. A self taught artist, Kirk's abstract assemblages and paintings are steeped in symbolism and iconography that takes inspiration from colors and patterns found in turn-of-the-century Navajo rugs. Matthew Kirk will serve as the Fall 2024 Windgate Artist in Residence.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsNovember 15th, at 1:30p - Artist Lecture
Blackburn will present an artist talk on Friday, November 15 in which she reflects on her wearable art practice and its intersection between Indigenous dress, collaboration, and community. On Saturday, November 16, join Catherine for an Applied Beading Workshop inspired by Aboriginal Classics, a series of works exploring themes of identity, language, and story.
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
November 16th, from 12p to 4p - Workshop
Blackburn will present an artist talk on Friday, November 15 in which she reflects on her wearable art practice and its intersection between Indigenous dress, collaboration, and community. On Saturday, November 16, join Catherine for an Applied Beading Workshop inspired by Aboriginal Classics, a series of works exploring themes of identity, language, and story.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsThe Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsDecember 2024
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsThe Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Need a unique gift for the holidays? Come shopping in the Visual Arts Building on the 食色视频 campus and explore the beautiful artwork for sale by our talented students.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy TicketsJanuary 2025
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts which Couwenberg has completed as part of her studio practice and in partnerships with cultural institutions throughout North America, Europe, and Asia. These artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores Couwenberg’s depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwen----
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and
in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
The Zuckerman Museum of Art is pleased to present new work by artist Beth LaCour. The exhibition features a series of folded paper vessels as well as a large installation on the Project Walls. LaCour’s work focuses on hand folded sculptural paper vessels, reliefs, and lighting. She has taught printmaking as well as drawing, papermaking, sculpture, and digital processes at Randolph College (V.A.), Yavapai College and Northern Arizona University (A.Z.). A former artist-in-residence at Taliesi, her work is included in numerous national private and public collections. Currently, LaCour is the Studio Coordinator for both the Book Arts Studio and the Papermaking Studio at Penland School of Craft (N.C.).
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
February 2025
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
In this 4-hour virtual workshop, renowned book artist Shawn Sheehy will lead attendees through structural basics and advanced techniques for creating pop-up books. Sheehy will also present a virtual lecture about his work at 12 p.m. His trade pop-up books Welcome to the Neighborwood and Beyond the Sixth Extinction (both mass-market versions of previous artist books) were published by Candlewick and have won numerous awards. Sheehy has been teaching book arts courses and workshops since 2001. His broadsides and artist book editions have been collected by such prestigious institutions as Stanford, Carnegie Mellon, University of Chicago, Library of Congress, UCLA, and Harvard. Sheehy served as director of The Movable Book Society from 2018 to 2023. He holds an MFA in Book Arts from Columbia College Chicago.
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
March 2025
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Elizabeth Wilson joined The Coca-Cola Company in 2019 with more than 25 years of experience in corporate and non-profit art environments. She began her career at the High Museum of Art and has worked as an art consultant, curating art collections for high-end hotels around the world. In her current role as the Fine Arts Manager, her responsibilities range from managing the corporate collection to developing special exhibitions and curating workspaces in both the Atlanta headquarters and abroad. Wilson will discuss various roles she has held within the artistic collections and museum fields.
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Lauren Haynes is Head Curator, Governors Island Arts, and Vice President at the Trust for Governors Island in New York City. Haynes has held curatorial positions at institutions across the US, including the Queens Museum, Crystal Bridges Museum of American Art, and the Studio Museum in Harlem. She serves on the board of the Association of Art Museum Curators and on the visiting committee for the Allen Memorial Art Museum at Oberlin College. Haynes was a 2018 Center for Curatorial Leadership fellow and a recipient of a 2020 ArtTable New Leadership Award. In 2023, President Joe Biden appointed Haynes to the Committee for the Preservation of the White House, on which she currently serves. Haynes will speak about her work as a curator and within the museum field.
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
April 2025
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Please join us for the Spring Faculty Research Forum and author reception.
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
May 2025
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts which Couwenberg has completed as part of her studio practice and in partnerships with cultural institutions throughout North America, Europe, and Asia. These artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores Couwenberg’s depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwen----
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and
in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at 食色视频 in Spring 2025.
June 2025
The Zuckerman Museum of Art is pleased to present the work of Matthew Kirk who served as the Fall 2024 Windgate Artists-in-Residence, and Annet Couwenberg who served as the Spring 2025 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in a summer exhibition at the Zuckerman Museum of Art. Additionally, one artwork from each artist will become part of the Zuckerman Museum of Art permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the 食色视频 campus. The2025 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
July 2025
The Zuckerman Museum of Art is pleased to present new work by artist Beth LaCour. The exhibition features a series of folded paper vessels as well as a large installation on the Project Walls. LaCour’s work focuses on hand folded sculptural paper vessels, reliefs, and lighting. She has taught printmaking as well as drawing, papermaking, sculpture, and digital processes at Randolph College (V.A.), Yavapai College and Northern Arizona University (A.Z.). A former artist-in-residence at Taliesi, her work is included in numerous national private and public collections. Currently, LaCour is the Studio Coordinator for both the Book Arts Studio and the Papermaking Studio at Penland School of Craft (N.C.).
The Zuckerman Museum of Art is pleased to present the work of Matthew Kirk who served as the Fall 2024 Windgate Artists-in-Residence, and Annet Couwenberg who served as the Spring 2025 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in a summer exhibition at the Zuckerman Museum of Art. Additionally, one artwork from each artist will become part of the Zuckerman Museum of Art permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the 食色视频 campus. The2025 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
Matthew Kirk (b. 1978, Ganado, Ariz.) is an enrolled member of the Navajo Nation and currently lives and works in Brooklyn, New York. A self-taught artist, Kirk’s abstract assemblages and paintings are steeped in symbolism and iconography that take inspiration from colors and patterns found in turn-of-the-century Navajo rugs. Kirk will be the Windgate Artist-in- Residence at 食色视频 in Fall 2024.
In person lecture at the ZMA: November 7th, 5pm
August 2025
September 2025
Zuckerman Museum of Art
492 Prillaman Way, MD 3104
食色视频, GA 30144
Regular hours:
Tuesday - Friday: 10:00 am - 5:00 pm
Saturday: 12:00 pm - 5:00 pm
Phone: 470-578-3223
Email: zma@kennesaw.edu
Fine Arts Gallery
471 Bartow Avenue,
食色视频, GA 30144
Located inside the Wilson Building across the Stillwell Theater.
Regular hours:
Tuesday & Thursday: 10:00 am - 5:00 pm
Wednesday & Friday: By appointment
Saturday: 12:00 pm - 5:00 pm
Phone: 470-578-2655
FREE ADMISSION: Docent-led tours and self-guided tours available upon request.
Important Note: The Zuckerman Museum of Art and our Fine Arts Satellite Gallery in the Wilson Building close during installation periods, and for 食色视频 breaks and holidays unless otherwise noted. Please see the 食色视频 calendar for details.
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